The first rule of changing speeds is to contrast as best as you can. It’s not only clearer to differentiate the lead for your partner but also enhances the visual effect for spectators. Go slow before you go fast (half-time to double-time) or go fast before you go slow (double-time to half-time), instead of going […]
Changing the Tempo (slowdowns vs speed-ups) Read More »
Your arms should always hold energy. The challenging part is figuring out how to differential the energy in your arms between fast vs slow moments.
Arm Energy – FAST vs SLOW movements Read More »
It’s really important move both arms together as a solid unit during turns (sacadas or enrosques). What happens if you don’t?
Arm Unification During Turns Read More »
Before 2018: Putting you and your partner, with the steps, with the music…everything, all together, in harmony. There are so many kinds of “connections”; you with yourself, you with the ground, feeling the music, the quality of the steps, the breath, the physical and metaphysical realm. And everything moves together as one. Blah blah blah!
What is Connection in Tango? Read More »
Wait 3 seconds for compression (connection) time. And then move. Some partners have slower or longer compression times. Others have denser or softer compression. Adjust accordingly. It’ll feel good.
Memory Foam Embrace Read More »
When is the right time to lead pivots and boleos? Should pivots be lead early or on time? And boleos lead late? (As a “surprise” or often-repeated “ocho-interruption”? Even more important how do we lead the more intricate versions of each? (Such as over-turned ochos or super fast boleos.)
Timing on Pivot Leads (boleo vs ocho) Read More »
Be very careful of when you slowdown (during the weight change). Let’s make 2 clear distinctions: If you slow down when the free foot is about to touch the ground, it looks SHY or like you don’t know where you’re going. If you slow down when the free foot is about to leave the ground, you
Slowdown Aesthetic Read More »
All back-steps should be STRAIGHT BACK during a performance (not angled). When you’re in a crowded milonga, angled back-steps make sense. But during a performance, they look kinda of clumsy and steal your opportunity to showcase a nice line. Need me to spell out the issue?
Straight Back Steps (not angled) Read More »
How to disassociate (turning your upper body) properly into enrosques! So what are the common problems here with enrosque disassociation? Flattening out – not turning both sides of the body together. Ambiguous lead – follower has no idea what (or when) to do during your disassociation. Losing balance – your disassociation makes you fall. Turning
Enrosque Disassociation Read More »
Quick notes on aesthetic from this tricky one-legged position. Do it right and you look strong! Feet, knees, hips, back, chest, arms, and head! Hahaha…everything!